Journal of the stylistic of Persian poem and prose
Article Info
Journal of the stylistic of Persian poem and prose شماره 70

volume Number : 14
number In Volume : 12
issue Number : 70

Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 12، ، issue Number 70

Extensive use of the Allegory and its novelties; One of the features of the Khosronameh

Neda Najafi , Manouchehr Akbari (Author in Charge)

Abstract

BACKGROUND AND OBJECTIVES: Khosronameh is a poetic and romantic work that some have attributed to Attar and others have rejected this attribution. In the meantime, what is clear and recognizable is the difference in the content of this poem with other works of Attar. Khosronameh is a narration of the love story of two princes named Hormoz and Golrokh, which is somewhat reminiscent of Khosrow and Shirin Nezami Ganjavi. In this article, after a brief review of the accuracy and correctness of the attribution of this work to Attar, its allegory, types and extent in the loss letter are considered and analyzed. The purpose of the present study is to what extent the poet has been able or willing to use the art of allegory to advance his narrative and make it attractive.

METHODOLOGY: This research is based on library studies and descriptive-analytical method. The study version belongs to the correction of Ahmad Soheili Khansari (1960).

FINDINGS: Allegory is divided into two major categories: narrative (narrative) and descriptive. In the loss-making letter, it has almost no frequency in the first category (except for one case at the beginning). Unless we consider the whole story as an allegorical narrative for the insurance and instability of the world.

CONCLUSION: Among the types of descriptive allegories in the loss statement, the frequency of sending proverbs, allegorical metaphor, allegorical metaphor, and equation style are respectively higher. Placing proverbs and allegorical metaphors at the top shows that the poet is more interested in mentioning other common expressions in Persian language and literature than creating similes. This has brought his work closer to the language and understanding of the masses. Another point is that most of these allegories are also used in today"s language.

Keyword
Attar , Khosronameh , allegory , proverb , narration

Reference
  • Attar Neyshabouri, Farid al-Din. (2004). Mantegh Al-Tair, edited by Mohammad Reza Shafie’i Kadkani, Tehran: Sokhan, p.33.
  • attributed to Attar Neyshabouri, Fridaldin. (1960). Khosronameh, edited and corrected by Ahmad Soheili Khansari, Tehran: Zavvar.
  • Bahmanyar, Ahmad. (1948). Allegory, Yaghma Magazine, January, No. 10, pp. 433-437 Dabirsiyaghi, Mohammad. (1995). Scouts of Persian Poetry, Fourth Edition, Tehran: Scientific and Cultural, p.188.
  • Dehkhoda, Ali Akbar. (1998). Dictionary, Second Edition, Tehran: University of Tehran Press.
  • Dehkhoda, Ali Akbar. (2007). Proverbs and Rulings, Four-volume, fourteenth edition, Tehran: Amirkabir.
  • Farrokhi Sistani. (1956). Poetry Divan, by Mohammad Dabirsiyaghi, Tehran: Sepehr Press, p.431.
  • Ferdowsi, Abolghasem. (1984). Shahnameh, edited by Jules Moll, Tehran: Amirkabir, p.365.
  • Forouzanfar, Badi'at al-Zaman. (1974). Description of the life and critique of the works of Sheikh Farid al-Din Attar, Tehran: Dehkhoda Bookstore, p.74.
  • Hafez Shirazi. (2015). Poetry Divan, Edited by Mohammad Qazvini and Qasem Ghani, Tehran: Ghoghnus.
  • Hamidi, Seyed Ja’far and Shamian, Akbar. (2005). The Origin and Development of Allegories, Faculty of Literature and Humanities, University of Tabriz, No. 197, pp. 75-103.
  • Jorjani, Abdolqahir. (1987). Asrar al-Balaghah, Translated by Jalil Tajlil, Tehran: University of Tehran Press, p.52.
  • Kazzazi, Jalaluddin. (2010). Aesthetics of Persian speech, Expression section, ninth edition, Tehran: Markaz Publisher, p.57.
  • Ketabi, Ahmad. (2005). Considerations about the parable of falling from a hole into a well, Academy Letter, No. 27, pp. 82-89.
  • Monshi, Nasrullah Ibn Mohammad. (2004). Kelileh and Demneh, edited by Mojtaba Minavi, Tehran: Amirkabir, p.127.
  • Nezami Ganjavi, Elias Ibn Yousef. (2009). Khosrow and Shirin, edited by Hassan Vahid Dastgerdi and the efforts of Sa’eed Hamidian, 10 th edition, Tehran: Qatreh, p.159.
  • Nezami Ganjavi, Elias Ibn Yousef. (2011). Haft Peykar, edited by Hassan Vahid Dastgerdi and the efforts of Saeed Hamidian, 10th edition, Tehran: Qatreh, p.181.
  • Onsor al-Ma'ali, Kikavus Ibn Vashmigir. (2011). Qaboosnameh, edited by Gholam Hossein Yousefi, 17th edition, Tehran: Scientific and Cultural, p.22.
  • Reza’ei Jamkarani, Ahmad. (2015). Allegory and allegory metaphor in rhetorical books, Literature Research, No. 34, pp. 33-50.
  • Sa’adi Shirazi, Mosleh Ibn Abdullah. (2004). Generalities of Poems, edited by Bahauddin Khorramshahi, Tehran: Dustan, p.787.
  • Sa’adi Shirazi, Mosleh Ibn Abdullah. (2019). Golestan, Tehran: Kharazmi.
  • Sa’eb Tabrizi. (1989). Poetry Divan, by Mohammad Ghahraman, Volume 5, Tehran: Scientific and Cultural, p.2445.
  • Sana’i Ghaznavi, Abu al-Majdood bin Adam. (1950). Hadiqah al-Haqiqah, edited by Mohammad Taghi Modarres Razavi, Tehran: Sepehr Printing House, p.661.
  • Shafie’e Kadkani, Mohammad Reza. (1987). Poet of Mirrors, Tehran: Agah, p.63.
  • Shafie’e Kadkani, Mohammad Reza. (2016). Images of Imagination in Persian Poetry, 18th Edition, Tehran: Agah, p.84.
  • Shafiee Kadkani, Mohammad Reza. (1999). Persian Psalms, Tehran: Agah, p.38.
  • Shamisa, Sirus. (1991). Bayan, Tehran: Ferdows, p.124, 421, 433.
  • Zolfaghari, Hassan. (2012). The use of proverbs in the poetry of Iranian poets, Gohar Goya, (1) 6, pp. 95-122